In 7 Colours, choreographers Stephen Page from the Aboriginal and Island Dance Theatre and Victoria Taylor from the Sydney Dance Company come together to create an innovative short dance film. In a series of seven colourful sequences, using kaleidoscopic lighting effects and fluid body movements, we see how the dancers have worked with the director to create a work of great visual clarity, highly original in composition, character and costume, choreographed...

An introduction to the basics of salsa dancing, covering 13 basics steps and 19 partner lessons. Includes slow motion reviews.

Includes highlights from ADF performances by: Erick Hawkins Dance Co., Sukarji Sriman, Chuck Davis' African-American Dance Ensemble, Guangdong Modern Dance Co., Pilobolus, Molissa Fenley, Sutki.

1992 Scripps/ ADF Award winner Donald McKayle (presented by Maya Angelou) reconstructs "Games" on the Chuck Davis' African American Dance Ensemble. Features step by step documentation of the creative process including rehearsals, interviews, and performance footage.

A new page is turning for the company XY, as with each project. More stripped down, very choreographic, this creation offers their acrobatic language new and generous escapes, under the impulse of Rachid Ouramdane who takes care of both the surges and the collapses.

"New York Times bestselling author Jeffery Deaver's next blockbuster thriller"-- Provided by publisher. A tragedy occurs at a small concert venue on the Monterey Peninsula. Cries of "fire" are raised and, panicked, people run for the doors, only to find them blocked. A half dozen people die and others are seriously injured. But it's the panic and the stampede that killed; there was no fire. Kathryn Dance --a brilliant California Bureau of Investigation...

A zany spoof of silent movie conventions and clichés choreographed in 1941 by Charles Weidman, the performance was directed by Weidman and filmed at the American Dance Festival in 1972. The first film on this tape is an edited version with close-ups and the second is a record version of the same performance showing the entire stage. Transferred from the original 16 millimeter color film.

A former member of the Merce Cunningham Dance Company, Mr. Paxton is best known for his development of contact improvisation starting in 1972. He was a co-founder of the Judson Dance Theater and later the Grand Union and has been the recipient of a Bessie Award as well as grants from the NEA and Rockefeller Foundation. In this interview, Mr. Paxton speaks about his career since the 1960's and his work with Cunningham, Trisha Brown, and others as well...