Traveling through the French Pyrenees to process the horrors of World War I, Freddie meets a lovely young woman also in mourning with whom he exchanges stories that unravel a centuries-old mystery.

"This is eminent historian Keith Jeffery's accomplishment in his magisterial '1916: a global history,' which focuses on a sequence of key events that unfolded around the world that year, and casts the Great War in an entirely new light"--

Contains American author John Dos Passo's epic "U.S.A." trilogy which provides a collective portrait of America following dozens of characters from the Spanish-American War to the beginning of the Depression.

"The roots of modern horror are found in the First World War. It was the most devastating event to occur in the early 1900s, with 38 million dead and 17 million wounded in the most grotesque of ways, owing to the new machines brought to war. If Downton Abbey showed the ripple effect of this catastrophe above stairs, Wasteland reveals how it made its way into the darker corners of our psyche on the bloody battlefield, the screaming asylum, and desolated...

The author of The Last of the Doughboys goes back to French battlegrounds of World War I to understand why memories of that war are so present in the minds and hearts of modern-day French people.

"'War is the locomotive of history,' claimed Trotsky, a remark thought to acknowledge the opportunity the First World War offered the Bolsheviks to seize power in Russia 1917. And here Peter Clarke uses it on a broader canvas to explore how war, rather than socioeconomic forces or individuals, is the prime mover of history. Twentieth-century warfare, based on new technologies and mass armies, saw the locomotive power of war geared up to an unprecedented...

"With rich illustrations and evocative narrative, McAuliffe portrays Paris during the fabulous 1920s, when art and architecture, music, literature, fashion, entertainment, transportation, and behavior all took dramatically new forms"--Provided by publisher.